爱华网（俄）列宾绘穆索尔斯基肖像
穆索尔斯基是普斯科夫一富有地主最小的儿子，他自幼从母亲学习钢琴。7岁的时候穆索尔斯基已能演奏李斯特的小品。1852年他进入圣彼得堡军事学院学习，当时他非常喜欢历史和哲学。也就是这时，穆索尔斯基开始创作自己的音乐作品，并开始在安东·赫克底下学习钢琴，而穆索尔斯基的第一部作品《陆军准尉波尔卡》也是在赫克帮助下出版的。在他宗教老师PaterKrupski的鼓励下，穆索尔斯基开始研究俄罗斯宗教音乐。
1856年穆索尔斯基离开军校出任禁卫团少尉一职。在那里他遇上了比他大三岁的巴拉基列夫，并且终于接受到正式的音乐教育——研习贝多芬，舒伯特和舒曼的作品。1858年7月17日穆索尔斯基离开禁卫团，但一直和巴拉基列夫保持联系。
1859年的莫斯科之行使得他立志成为一位俄国人民的作曲家。1861年俄罗斯实行的农奴制改革使得他的家庭一落千丈，穆索尔斯基不得不回乡，用两年时间帮助兄弟管理家庭财务。也是出于财政上的困难，穆索尔斯基只得违愿地到沙皇底下供职。1863年他被任命为内政部工程科的联络员。1866年他获得了一次升迁，但很快在1867年5月10日就被辞退。在这段时间，他和另外四位年轻人过从甚密：巴拉基列夫、鲍罗丁、里姆斯基-科萨科夫和居伊。他们讨论艺术，研究哲学和评议政治。五个人自称强力集团或五人团。
除了巴拉基列夫，其他四个都是“音乐爱好者”，并非职业作曲家。但他们反对学术垄断，提倡俄国的音乐应建立在俄国的民族之上，可惜当时的俄国民众并未对此表现出理解和支持，以致这一理想未能遂终。
离职后，穆索尔斯基搬回到农村的兄弟家里，并且开始创作管弦乐曲。名作《荒山之夜》就是出自于这时期。后来，穆索尔斯基又搬回到圣彼得堡，并开始着手改编普希金同名戏剧《鲍里斯·戈东诺夫》。1869年1月2日他重操旧职，这次他就职于内政部林业科。其他因素都稳定下来后，穆索尔斯基迅速编写歌剧，第一稿在同年12月完成。但歌剧却被马林斯基剧院退回，穆索尔斯基只得对它作大幅的修改。修改版于1872年7月完成。这一版也没让穆索尔斯基获得成功。但是在一次由一些歌手发起的义演中，歌剧中的三场却获得了很高的评价。这一成功也使得马林斯基的经理对歌剧另眼相待。
1877年3到4月他还为阿列克赛·康斯坦丁诺维奇·托尔斯泰的诗作创作了一系列歌曲，在这些歌曲中可看到他风格技巧的转变，抒情的曲调和朗诵的演唱结合在一起。
1874年2月8日，歌剧《鲍里斯·戈东诺夫》首演。但也正是此时，穆索尔斯基开始酗酒，他自己也发觉自己有痴呆的征兆。但暂时他还能够在公职那里保住生计。
1874年6月穆索尔斯基写下钢琴组曲《展览会之画》，灵感来自于一次画作展览会，会上的作品是由穆索尔斯基一位已逝世的朋友维克托·阿里山大罗维奇·哈特曼所画。同时他写下了声乐组曲《暗无天日》，这是根据高里尼舍切夫-库图佐夫的故事创作的。
1878年他被调到检验科工作。在那里他遇上了一位仁慈的上司，让他和列昂诺娃（Altistin DariaLeonowa）到乌克兰，克里米亚和顿河还有伏尔加河那进行了三个月的音乐之旅。
1880年1月3日穆索尔斯基因酒瘾被政府部门辞退，他有条件地获得了100卢布离职金，条件就是他要完成歌剧《霍宛斯基党人之乱》。但这部《霍宛斯基党人之乱》和歌剧《索罗钦集市》最后都未能被完成。
在他生命的最后一年，他与列昂诺娃一起。穆索尔斯基在列昂诺娃在圣彼得堡建立的音乐学校中教授音乐理论。1881年2月23日他再一次拜访列昂诺娃，但是显得神情绝望。当晚他癫痫发作，三天后，即2月26日被送到尼古拉耶夫斯基医院。3月中病情有起色，但他还是在当月28日逝世了。穆索尔斯基被葬于圣彼得堡亚历山大·涅夫斯基修道院。（以上引自《维基百科全书》）
穆索尔斯基全部作品列表 List ofcompositions by Modest Mussorgsky
Contents |
1. List By Category
1.1 Operas
Title | Start | End | Notes |
Hans of Iceland | 1856 | 1856 | Projected; to be based on the novel Han d'Islande (1823)by Victor Hugo |
Oedipus in Athens | 1858 | 1860 | Unfinished; based on the tragedy Oedipus in Athens (1804)by Vladislav Ozerov |
Salammbô | 1863 | 1866 | Unfinished; based on the novel Salammbô (1862) by GustaveFlaubert |
Marriage | 1868 | 1868 | Unfinished; Act I only; based on the comedy Marriage(1842) by Nikolay Gogol |
Boris Godunov | 1868 | 1869 | Original version; based on the drama Boris Godunov (1825)by Aleksandr Pushkin |
Bobïl | 1870 | 1870 | Projected; to be based on the drama Hans und Grete (1868)by Friedrich von Spielhagen; Marfa's Divination fromKhovanshchina derives from sketches for this work |
Boris Godunov | 1871 | 1872 | Revised version; based on the drama Boris Godunov (1825)by Aleksandr Pushkin; minor revisions in 1873 |
Mlada | 1872 | 1872 | Unfinished; libretto by Viktor Krylov; collaborative work withCui, Minkus, Rimsky-Korsakov, and Borodin; |
Khovanshchina | 1872 | 1880 | Unfinished; libretto by Mussorgsky; based on historicalaccounts |
Sorochintsï Fair | 1874 | 1880 | Unfinished; based on the short story Sorochintsï Fair,from Evenings on a Farm Near Dikanka (1832) by NikolayGogol |
Pugachovshchina | 1877 | 1877 | Projected; possibly to be based on the novel The Captain'sDaughter (1836) by Aleksandr Pushkin |
1.2 Orchestral Works
Title | Start | End | Notes |
Scherzo in B flat major | 1858 | 1858 | Originally for piano |
Alla marcia notturna | 1861 | 1861 | |
Symphony in D major | 1861 | 1862 | Lost, unfinished: Andante, Scherzo, and Finale only |
St. John's Night on the Bare Mountain | 1867 | 1867 | Tone poem; recast for orchestra and chorus as Glorificationof Chornobog for inclusion in the collaborative opera Mlada(1872), and again as Dream Vision of the Peasant Lad in theopera Sorochintsï Fair (1880) |
Intermezzo symphonique in modo classico | 1867 | 1867 | Originally for piano; trio added |
Podebrad of Bohemia | 1867 | 1867 | Projected; based on the life of George of Poděbrady |
The Capture of Kars (March) | 1880 | 1880 | Occasional piece commemorating the Siege of Kars (1855) |
Transcaucasian Suite | 1880 | 1880 | Projected; for orchestra, harps, and piano |
1.3 Piano Works
Title | Start | End | Notes |
Porte-enseigne (Polka) | 1852 | 1852 | |
Souvenir of Childhood | 1857 | 1857 | Edition by V. Karatygin (1911) |
Sonata in E flat major | 1858 | 1858 | Lost; unfinished: Scherzo and Finale only |
Sonata in F sharp minor | 1858 | 1858 | Lost |
Scherzo in C sharp minor | 1858 | 1858 | Edition by V. Karatygin (1911) |
Scherzo in B flat major | 1858 | 1858 | Orchestrated |
Souvenir of a Night in Madrid | 1858 | 1858 | Arrangement of the fantasia on Spanish themes Souvenir d'unenuit d'été à Madrid (1848) by Mikhail Glinka for piano fourhands |
Passionate Impromptu (Recollection of Beltov and Lyuba) | 1859 | 1859 | Inspired by the novel Who is to Blame? (1847) byAleksandr Gertsen (Herzen) |
Overture to King Lear | 1859 | 1859 | Arrangement for solo piano of the overture to the incidentalmusic King Lear by Mily Balakirev |
Children's Games | 1859 | 1859 | Original version |
Children's Games | 1860 | 1860 | Revised version |
Sonata in C major | 1860 | 1860 | Unfinished; for piano four hands; Allegro and Scherzo only;scherzo based on Scherzo in c sharp minor (1858) |
Prelude in the Classic Style | 1860 | 1860 | Lost |
Intermezzo in the Classic Style | 1860 | 1861 | Orchestrated (1867) |
Menuet Monstre | 1861 | 1861 | Lost |
String Quartet in B flat major | 1862 | 1862 | Arrangement for piano 4 hands of the String Quartet in B flatmajor, Op. 130, by Ludwig van Beethoven |
From Memories of Childhood | 1865 | 1865 | |
Rêverie | 1865 | 1865 | On a theme by V. Loginov |
La Capricieuse | 1865 | 1865 | On a theme by L. Geyden (Heyden) |
The Seamstress (Scherzino) | 1871 | 1871 | |
Pictures from an Exhibition | 1874 | 1874 | Edition by Nikolay Rimsky-Korsakov (1886) |
Storm on the Black Sea | 1879 | 1879 | Lost |
On the Southern Shore of the Crimea (Gurzuf at Ayu-Dag) | 1880 | 1880 | Inspired by a visit to Gurzuf at Ayu-Dag in the Crimea |
Near the Southern Shore of the Crimea (Capriccio) | 1880 | 1880 | Also known as the Baydarki Capriccio |
Meditation (album leaf) | 1880 | 1880 | |
A Tear | 1880 | 1880 | |
In the Village (Quasi Fantasia) | 1880 | 1880 | |
Market Scene from the opera Sorochintsï Fair | 1880 | 1880 | Arrangement of the Market Scene from Sorochintsï Fair(1880) |
Gopak of the Merry Lads from the opera SorochintsïFair | 1880 | 1880 | Arrangement of the Gopak from Sorochintsï Fair (1880) |
1.4 Choral Works
Title | Start | End | Notes |
Shamil's March | 1859 | 1859 | Projected; for tenor, baritone, chorus, and orchestra |
The Destruction of Sennacherib | 1866 | 1867 | Original version; for chorus and orchestra; based on TheDestruction of Sennacherib from Hebrew Melodies(1815) |
The Destruction of Sennacherib | 1874 | 1874 | Revised version; for chorus and orchestra; based on TheDestruction of Sennacherib from Hebrew Melodies(1815) |
Iisus Navin | 1874 | 1877 | Also known as Joshua; for alto, baritone, chorus, andpiano |
Three Vocalises | 1880 | 1880 | For three-part female voices |
Five Russian Folksongs | 1880 | 1880 | For four-part male voices; No.4 with 2 solo tenors; No.5incomplete |
1.5 Songs
Title | Start | End | Notes |
Rustic Song | 1857 | 1857 | Original version of the song Where Art Thou, Little Star?(1863-1866); based on a text by N. Grekov; orchestrated in 1858;published in Paris (1909) |
Thou Longing of My Heart | 1858 | 1858 | Based on a text by an anonymous author |
Tell Me, Gentle Maiden | 1858 | 1858 | Based on a text by an anonymous author |
The Joyous Hour | 1858 | 1859 | Original version, revised in 1859; based on a text by AlekseyKoltsov |
Leaves Rustled Sadly | 1859 | 1859 | Original version, revised in 1863-1866; based on a text byAleksey Pleshcheyev |
What Are Words of Love to You? | 1860 | 1860 | Original version, revised in 1863-1866; based on a text by A.Ammosov |
The Joyous Hour | 1863 | 1866 | Revised version, originally composed in 1858-1859; based on atext by Koltsov; published in Paris (1923) |
Leaves Rustled Sadly | 1863 | 1866 | Revised version, original composed in 1859; based on a text byAleksey Pleshcheyev |
What Are Words of Love to You? | 1863 | 1866 | Revised version, original version composed in 1860; based on atext by A. Ammosov; published in Paris (1923) |
Many Are My Palaces and Gardens | 1863 | 1863 | Based on a text by Koltsov |
Old Man's Song | 1863 | 1863 | Also known as The Harper's Song; based on An die Türenwill ich schleichen from Wilhelm Meisters Lehrjahre(Bk.5, Ch.14) by Goethe |
Tsar Saul | 1863 | 1863 | Based on Warriors and Chiefs (Song of Saul before His LastBattle) from Hebrew Melodies (1815) by Byron, translatedby Kozlov |
But If I Could Meet Thee Again | 1863 | 1863 | Based on a text by Kurochkin |
Where Art Thou, Little Star? | 1863 | 1866 | Revised version of the song Rustic Song (1858); based ona text by Grekov; orchestrated |
The Winds Blow, the Wild Winds | 1864 | 1864 | Based on a text by Koltsov; published in Paris (1909) |
Night | 1864 | 1864 | Original version, revised in 1868; based on a text byPushkin; |
Kalistratushka | 1864 | 1864 | Original version of the song Kalistrat; based on a textby Nikolay Nekrasov |
Kalistrat | 1864 | 1864 | Revised version of the song Kalistratushka; based on atext by Nikolay Nekrasov; |
Every Saturday (Tuscan Popular Song) | 1864 | 1864 | Arrangement of the song Ogni sabato avreti il lume acceso(1853) by Gordigiani; for mezzo-soprano, baritone, and piano |
A Prayer | 1865 | 1865 | Based on a text by Lermontov |
The Outcast [Woman] (An essay in recitative) | 1865 | 1865 | Based on a text by Holz-Miller |
Cradle Song | 1865 | 1865 | Original version of Sleep, Go to Sleep, Peasant Son;based on a text by Ostrovsky |
Sleep, Go to Sleep, Peasant Son | 1865 | 1865 | Revised version of Cradle Song; based on a text byOstrovsky |
Little One | 1866 | 1866 | Based on a text by Pleshcheyev |
Desire | 1866 | 1866 | Based on a text by Heine, Ich wollt' meine Schmerzenergössen |
From My Tears | 1866 | 1866 | Based on a text by Heine, Aus meinen Tränen |
Darling Savishna | 1866 | 1866 | Text by Mussorgsky |
Ah, You Drunken Sot | 1866 | 1866 | Text by Mussorgsky |
The Seminarist | 1866 | 1866 | Text by Mussorgsky |
Hopak | 1866 | 1866 | Original version, revised in 1868; based on the epic poemGaydamaki (1841) by Shevchenko, translated by Mey |
Yaryoma's Song | 1866 | 1866 | Lost; original version of On the Dnieper; based on theepic poem Gaydamaki (1841) by Shevchenko, translated byMey |
Hebrew Song | 1867 | 1867 | Based on a text by Mey |
Magpie Whitesides | 1867 | 1867 | Based on a text by Pushkin |
Gathering Mushrooms | 1867 | 1867 | Based on a text by Mey |
The Banquet (or The Feast) | 1867 | 1867 | Based on a text by Koltsov |
The Urchin (or The Ragamuffin) | 1867 | 1867 | Text by Mussorgsky |
A Society Tale (The Goat) | 1867 | 1867 | Text by Mussorgsky |
The Classicist | 1867 | 1867 | Text by Mussorgsky; satire |
A Garden by the Don Blooms | 1867 | 1867 | Based on a text by Koltsov |
Night | 1868 | 1868 | Revised version, original composed in 1864; based on a text byPushkin; |
Hopak | 1868 | 1868 | Revised version, original composed in 1866; orchestrated; basedon the epic poem Gaydamaki (1841) by Shevchenko, translatedby Mey |
The Orphan | 1868 | 1868 | Text by Mussorgsky |
Yeryomushka's Lullaby | 1868 | 1868 | Based on a text by Nekrasov |
A Child's Song | 1868 | 1868 | Based on a text by Mey |
The Nursery | 1868 | 1872 | Text by Mussorgsky; cycle of 7 songs |
With Nanny | 1868 | 1868 | Text by Mussorgsky; part of The Nursery |
In the Corner | 1870 | 1870 | Text by Mussorgsky; part of The Nursery |
The Beetle | 1870 | 1870 | Text by Mussorgsky; part of The Nursery |
With the Doll | 1870 | 1870 | Text by Mussorgsky; part of The Nursery |
Going to Sleep | 1870 | 1870 | Text by Mussorgsky; part of The Nursery |
The Peep-Show | 1870 | 1870 | Text by Mussorgsky; satire |
Evening Song | 1871 | 1871 | Based on a text by Pleshcheyev |
The Cat 'Sailor' | 1872 | 1872 | Text by Mussorgsky; part of The Nursery |
Without Sun (or Sunless) | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; cycle of 6 songs |
Within Four Walls | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
Thou Didst Not Know Me in the Crowd | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
The Idle Noisy Day is Ended | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
Boredom (or Ennui) | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
Elegy | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
Over the River | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; part of WithoutSun |
Forgotten | 1874 | 1874 | Based on a text by Golenishchev-Kutuzov; inspired by thepainting Forgotten (1872) by Vasily Vereshchagin |
Evil Death (The Epitaph) | 1874 | 1874 | Text by Mussorgsky; unfinished |
Nettle Mountain | 1874 | 1874 | Text by Mussorgsky; unfinished; satire |
Songs and Dances of Death | 1875 | 1877 | Based on a text by Arseniy Golenishchev-Kutuzov; cycle of 4songs |
Lullaby | 1875 | 1875 | Based on a text by Arseniy Golenishchev-Kutuzov; part ofSongs and Dances of Death |
Serenade | 1875 | 1875 | Based on a text by Arseniy Golenishchev-Kutuzov; part ofSongs and Dances of Death |
Trepak | 1875 | 1875 | Based on a text by Arseniy Golenishchev-Kutuzov; part ofSongs and Dances of Death |
The Misunderstood One | 1875 | 1875 | Text by Mussorgsky |
The Field-Marshal | 1877 | 1877 | Based on a text by Arseniy Golenishchev-Kutuzov; part ofSongs and Dances of Death |
Not Like Thunder From Heaven | 1877 | 1877 | Based on a text by Aleksey Tolstoy |
Softly the Spirit Flew up to Heaven | 1877 | 1877 | Based on a text by Aleksey Tolstoy |
Pride | 1877 | 1877 | Based on a text by Aleksey Tolstoy |
Is It an Honor for a Young Man to Weave Flax? | 1877 | 1877 | Based on a text by Aleksey Tolstoy |
It Scatters and Breaks | 1877 | 1877 | Based on a text by Aleksey Tolstoy |
The Vision | 1877 | 1877 | Based on a text by Golenishchev-Kutuzov |
The Wanderer | 1878 | 1878 | Based on Abendlied des Wanderers by Rückert, translatedby Pleshcheyev |
On the Dnieper | 1879 | 1879 | Revised version of Yaryoma's Song; based on the epic poemGaydamaki (1841) by Shevchenko, translated by Mey |
Mephistopheles' Song in Auerbach's Cellar (Song of the Flea) | 1879 | 1879 | Based on Faust: The First Part of the Tragedy (1808) byGoethe, translated by Strugovshchikov |
2. Combined Sortable List
Category | Title | Translation | Start | End | Text Basis | Status | Pub. | Publisher |
Opera | Han d'Islande | Hans of Iceland | 1856 | 1856 | Hugo | Projected | — | — |
Opera | Эдип в Афинах | Oedipus in Athens | 1858 | 1860 | Ozerov | Unfinished | 1883 | |
Opera | Salammbô (or Ливиец) | Salammbô | 1863 | 1866 | Flaubert | Unfinished | 1939 | Muzgiz |
Opera | Женитьба | Marriage | 1868 | 1868 | Gogol | Unfinished | 1908 | Bessel |
Opera | Борис Годунов | Boris Godunov | 1868 | 1869 | Pushkin | Initial | 1928 | Muzsektor |
Opera | Бобыль | The Landless Peasant | 1870 | 1870 | Spielhagen | Projected | — | — |
Opera | Борис Годунов | Boris Godunov | 1871 | 1872 | Pushkin | Revision | 1874 | Bessel |
Opera-Ballet | Млада | Mlada | 1872 | 1872 | Krylov | Unfinished | 1931 | |
Opera | Хованщина | Khovanshchina | 1872 | 1880 | Mussorgsky | Unfinished | 1883 | Bessel |
Opera | Сорочинская ярмарка | Sorochintsy Fair | 1874 | 1880 | Gogol | Unfinished | 1916 | Bessel |
Opera | Пугачёвщина | Pugachovshchina | 1877 | 1877 | Pushkin | Projected | — | — |
Orchestra | Скерцо B-dur | Scherzo in B flat major | 1858 | 1858 | — | 1883 | ||
Orchestra | Alla marcia notturna | Alla marcia notturna (like a nocturnal march) | 1861 | 1861 | — | |||
Orchestra | Симфония D-dur | Symphony in D major | 1861 | 1862 | — | Lost | — | — |
Orchestra | Иванова ночь на лысой горе | St. John's Night on the Bare Mountain | 1867 | 1867 | — | 1886 | ||
Orchestra | Intermezzo symphonique in modo classico | Symphonic Intermezzo in the Classic Style | 1867 | 1867 | — | |||
Orchestra | Подибрад чешский | Podebrad of Bohemia | 1867 | 1867 | — | Projected | — | — |
Orchestra | Взятие Карса (марш) | The Capture of Kars (March) | 1880 | 1880 | — | 1883 | ||
Orchestra | Transcaucasian Suite | 1880 | 1880 | — | Projected | — | — | |
Piano | Porte-enseigne (Polka) | Porte-enseigne (Polka) | 1852 | 1852 | — | 1852 | Bernard | |
Piano | Souvenir d'Enfance | Souvenir of Childhood | 1857 | 1857 | — | 1911 | Bessel | |
Piano | Соната Es-dur | Sonata in E flat major | 1858 | 1858 | — | Lost | — | — |
Piano | Соната fis-moll | Sonata in F sharp minor | 1858 | 1858 | — | Lost | — | — |
Piano | Скерцо cis-moll | Scherzo in C sharp minor | 1858 | 1858 | — | Initial | 1911 | Bessel |
Piano | Скерцо cis-moll | Scherzo in C sharp minor | 1858 | 1858 | — | Revision | 1939 | Muzgiz |
Piano | Скерцо B-dur | Scherzo in B flat major | 1858 | 1858 | — | |||
Piano Duet | Souvenir d'une nuit d'été à Madrid | Souvenir of a Night in Madrid | 1858 | 1858 | — | Arrangement | ||
Piano | Impromptu | Impromptu | 1859 | 1859 | — | Initial | 1939 | Muzgiz |
Piano | Impromptu passionné | Passionate Impromptu (Recollection of Beltov and Lyuba) | 1859 | 1859 | — | Revision | 1911 | Bessel |
Piano | Ein Kinderscherz | Children's Games | 1859 | 1859 | — | |||
Piano | Музыка к трагедии Шекспира „Король Лир“ | Music to Shakespeare's Tragedy "King Lear" | 1859 | 1859 | — | Arrangement | ||
Piano | Ein Kinderscherz | Children's Games | 1860 | 1860 | — | 1873 | Bitner | |
Piano Duet | Соната C-dur | Sonata in C major | 1860 | 1860 | — | Unfinished | ||
Piano | Preludio in modo classico | Prelude in the Classic Style | 1860 | 1860 | — | Lost | — | — |
Piano | Intermezzo in modo classico | Intermezzo in the Classic Style | 1860 | 1861 | — | Initial | 1873 | Bitner |
Piano | Intermezzo in modo classico | Intermezzo in the Classic Style | 1867 | 1867 | — | Revision | 1939 | Muzgiz |
Piano | Menuet Monstre | Menuet Monstre (Monstrous Minuet) | 1861 | 1861 | — | Lost | — | — |
Piano Duet | Квартет B-Dur, Op. 130 | String Quartet in B flat major, Op. 130 | 1862 | 1862 | — | Arrangement | ||
Piano | Из воспоминаний детсва | From Memories of Childhood | 1865 | 1865 | — | |||
Piano | Дума | Rêverie | 1865 | 1865 | — | 1911 | Bessel | |
Piano | La Capricieuse | La Capricieuse | 1865 | 1865 | — | 1939 | Muzgiz | |
Piano | Швея (скерцино) | The Seamstress (Scherzino) | 1871 | 1871 | — | 1872 | Bernard | |
Piano | Картинки с выставки | Pictures from an Exhibition | 1874 | 1874 | — | 1886 | Bessel | |
Piano | Буря на черном море | Storm on the Black Sea | 1879 | 1879 | — | Lost | — | — |
Piano | На южном берегу Крыма (Гурзуф у Аю-Дага) | On the Southern Shore of the Crimea (Gurzuf at Ayu-Dag) | 1880 | 1880 | — | 1880 | Bernard | |
Piano | Близ южного берега Крыма | Near the Southern Shore of the Crimea (Capriccio) | 1880 | 1880 | — | 1880 | Bernard | |
Piano | Méditation (feuillet d'album) | Meditation (album leaf) | 1880 | 1880 | — | 1880 | Bernard | |
Piano | Une Larme | A Tear | 1880 | 1880 | — | 1880 | Bernard | |
Piano | Au Village (Quasi Fantasia) | In the Village (Quasi Fantasia) | 1880 | 1880 | — | 1882 | ||
Piano | Ярмарочная сцена из оперы Сорочинская ярмарка | Market Scene from the opera Sorochintsï Fair | 1880 | 1880 | — | Arrangement | 1939 | Muzgiz |
Piano | Гопак веселых паробков из оперы Сорочинская ярмарка | Gopak of the Merry Lads from the opera SorochintsïFair | 1880 | 1880 | Arrangement | 1939 | Muzgiz | |
Chorus | Марш Шамиля | Shamil's March | 1859 | 1859 | Projected | — | — | |
Chorus | Поражение Сеннахериба | The Destruction of Sennacherib | 1866 | 1867 | Byron | Initial | 1871 | Bitner |
Chorus | Поражение Сеннахериба | The Destruction of Sennacherib | 1874 | 1874 | Byron | Revision | 1939 | Muzgiz |
Chorus | Иисус Навин | Iisus Navin | 1874 | 1877 | 1883 | |||
Chorus | Three Vocalises | 1880 | 1880 | |||||
Chorus | Пять Русских народных песен | Five Russian Folksongs | 1880 | 1880 | Unfinished | |||
Song | Где ты, звёздочка? | Where Art Thou, Little Star? | 1857 | 1857 | Grekov | Initial | ||
Song | Где ты, звёздочка? | Where Art Thou, Little Star? | 1858 | 1858 | Grekov | Revision | ||
Song | Отчего, скажи, душа-девица | Tell Me Gentle Maiden | 1858 | 1858 | Anonymous | 1867 | Iogansen | |
Song | Du meines Herzens Sehnsucht | Thou Longing of My Heart | 1858 | 1858 | Anonymous | |||
Song | Весёлый час | The Joyous Hour | 1858 | 1858 | Koltsov | Initial | ||
Song | Весёлый час | The Joyous Hour | 1859 | 1859 | Koltsov | Revision | ||
Song | Листья шумели уныло | Leaves Rustled Sadly | 1859 | 1859 | Pleshcheyev | |||
Song | Что вам слова любви? | What are Words of Love to You? | 1860 | 1860 | Ammosov | |||
Song | Много есть у меня теремов и садов | Many Are My Palaces and Gardens | 1863 | 1863 | Koltsov | |||
Song | Песнь старца | Old Man's Song | 1863 | 1863 | Goethe | 1909 | ||
Song | Царь Саул | Tsar Saul | 1863 | 1863 | Byron | 1871 | Bessel | |
Song | Но если-бы с тобою я встретиться могла | But If I Could Meet Thee Again | 1863 | 1863 | Kurochkin | |||
Song | Дуют ветры, ветры буйные | Wild Winds Blow | 1864 | 1864 | Koltsov | |||
Song | Ночь | Night | 1864 | 1864 | Pushkin | Initial | ||
Song | Ночь | Night | 1868 | 1868 | Pushkin | Revision | 1871 | Bessel |
Song | Калистратушка | Kalistratushka | 1864 | 1864 | Nekrasov | Initial | ||
Song | Калистрат | Kalistrat | 1864 | 1864 | Nekrasov | Revision | ||
Song Duet | Ogni sabato (Canto Popolare Toscano) | Every Saturday (Tuscan Popular Song) | 1864 | 1864 | Arrangement | |||
Song | Молитва | A Prayer | 1865 | 1865 | Lermontov | |||
Song | Отверженная | The Outcast [Woman] (An essay in recitative) | 1865 | 1865 | Holz-Miller | |||
Song | Колыбельная песня | Cradle Song | 1865 | 1865 | Ostrovsky | |||
Song | Спи, усни, крестьянский сын | Sleep, go to sleep, peasant son | 1865 | 1865 | Ostrovsky | 1871 | Bessel | |
Song | Малютка | Little One | 1866 | 1866 | Pleshcheyev | |||
Song | Желание | Desire | 1866 | 1866 | Heine | |||
Song | Из слёз моих выросло много | From My Tears | 1866 | 1866 | Heine | |||
Song | Светик Савишна | Darling Savishna | 1866 | 1866 | Mussorgsky | 1867 | Iogansen | |
Song | Ах, ты, пьяная тетеря | Ah, You Drunken Sot | 1866 | 1866 | Mussorgsky | |||
Song | Семинарист | The Seminarist | 1866 | 1866 | Mussorgsky | 1870 | Benicke | |
Song | Гопак | Gopak | 1866 | 1866 | Shevchenko | Initial | ||
Song | Гопак | Gopak | 1868 | 1868 | Shevchenko | Revision | 1868 | Iogansen |
Song | Песнь Ярёмы | Yaryoma's Song | 1866 | 1866 | Shevchenko | Lost | — | — |
Song | На Днепре | On the Dnieper | 1879 | 1879 | Shevchenko | Revision | 1888 | |
Song | Еврейская песня | Hebrew Song | 1867 | 1867 | Mey | 1868 | Iogansen | |
Song | Стрекотунья-белобока | Magpie Whitesides | 1867 | 1867 | Pushkin | 1871 | Bessel | |
Song | По грибы | Gathering Mushrooms | 1867 | 1867 | Mey | 1868 | Iogansen | |
Song | Пирушка | The Banquet (or The Feast) | 1867 | 1867 | Koltsov | 1868 | Iogansen | |
Song | Озорник | The Urchin (or The Ragamuffin) | 1867 | 1867 | Mussorgsky | 1871 | Bessel | |
Song | Козёл (Светская сказочка) | The He-Goat (A Worldly Tale) | 1867 | 1867 | Mussorgsky | 1868 | Iogansen | |
Song | Классик | The Classicist | 1867 | 1867 | Mussorgsky | 1870 | Arngold | |
Song | По над Доном сад цветёт | A Garden by the Don Blooms | 1867 | 1867 | Koltsov | |||
Song | Сиротка | The Orphan | 1868 | 1868 | Mussorgsky | 1871 | Bessel | |
Song | Колыбельная Ерёмушки | Yeryomushka's Lullaby | 1868 | 1868 | Nekrasov | 1871 | Bessel | |
Song | Детская песенка | A Child's Song | 1868 | 1868 | Mey | 1871 | ||
Song Cycle | Детская | The Nursery | 1868 | 1872 | Mussorgsky | 1872 | ||
Song | С няней | With Nanny | 1868 | 1868 | Mussorgsky | Part of a cycle | 1872 | |
Song | В углу | In the Corner | 1870 | 1870 | Mussorgsky | Part of a cycle | 1871 | |
Song | Жук | The Beetle | 1870 | 1870 | Mussorgsky | Part of a cycle | 1871 | |
Song | С куклой | With the Doll | 1870 | 1870 | Mussorgsky | Part of a cycle | 1871 | |
Song | На сон грядущий | At Bedtime | 1870 | 1870 | Mussorgsky | Part of a cycle | 1872 | |
Song | Поехал на палочке | Ride on a Stick-Horse | 1872 | 1872 | Mussorgsky | Part of a cycle | 1908 | |
Song | Кот Матрос | The Cat 'Sailor' | 1872 | 1872 | Mussorgsky | Part of a cycle | 1908 | |
Song | Раёк | The Peep-Show | 1870 | 1870 | Mussorgsky | 1871 | Bessel | |
Song | Вечерняя песенка | Evening Song | 1871 | 1871 | Pleshcheyev | |||
Song Cycle | Без солнца | Without Sun (or Sunless) | 1874 | 1874 | Golenishchev-Kutuzov | 1874 | ||
Song | В четырех стенах | Within Four Walls | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Меня в толпе ты не узнала | Thou Didst Not Know Me in the Crowd | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Окончен праздный шумный день | The Idle Noisy Day is Ended | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Скучай | Boredom (or Ennui) | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Элегия | Elegy | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Над рекой | Over the River | 1874 | 1874 | Golenishchev-Kutuzov | Part of a cycle | 1874 | |
Song | Забытый | Forgotten | 1874 | 1874 | Golenishchev-Kutuzov | 1874 | Bessel | |
Song | Злая смерть (надгробное письмо) | Evil Death (The Epitaph) | 1874 | 1874 | Mussorgsky | Unfinished | ||
Song | Крапивная Гора (Рак) | Nettle Mountain | 1874 | 1874 | Mussorgsky | Unfinished | 1939 | Muzgiz |
Song Cycle | Песни и пляски смерти | Songs and Dances of Death | 1875 | 1877 | Golenishchev-Kutuzov | 1882 | ||
Song | Колыбельная | Lullaby | 1875 | 1875 | Golenishchev-Kutuzov | Part of a cycle | 1882 | |
Song | Серенада | Serenade | 1875 | 1875 | Golenishchev-Kutuzov | Part of a cycle | 1882 | |
Song | Трепак | Trepak | 1875 | 1875 | Golenishchev-Kutuzov | Part of a cycle | 1882 | |
Song | Полководец | The Field-Marshal | 1877 | 1877 | Golenishchev-Kutuzov | Part of a cycle | 1882 | |
Song | Непонятная | The Misunderstood One | 1875 | 1875 | Mussorgsky | |||
Song | Не божиим громом горе ударило | Not Like Thunder from Heaven | 1877 | 1877 | Tolstoy | |||
Song | Горними тихо летела душа небесами | Softly the Spirit Flew up to Heaven | 1877 | 1877 | Tolstoy | |||
Song | Спесь | Pride | 1877 | 1877 | Tolstoy | 1882 | ||
Song | Ой, честь ли то молодцу лён прясти | Is It an Honor for a Young Man to Weave Flax? | 1877 | 1877 | Tolstoy | 1882 | ||
Song | Рассевается, расступается | It Scatters and Breaks | 1877 | 1877 | Tolstoy | 1882 | ||
Song | Видение | The Vision | 1877 | 1877 | Golenishchev-Kutuzov | |||
Song | Странник | The Wanderer | 1878 | 1878 | Rückert | |||
Song | Песня Мефистофеля в погребке Ауэрбаха (Песня о блохе) | Mephistopheles' Song in Auerbach's Cellar (Song of the Flea) | 1879 | 1879 | Goethe |
（以上资料来自互联网）
歌剧《霍万兴那·前奏曲》（《莫斯科河上的黎明》）Prelude toKhovanstchina ("Dawn on the Moskva River")
