爱华网A New Moriarty
一个全新的莫里亚蒂
Steven Moffat: We wrote an audition scene — which ended uppretty much as the swimming pool scene — which feature all theMoriarty quirks and psycho moments. It was Andrew who could bringthose to life.
史蒂芬·莫法特：我们写了一场试镜戏——最后基本用在了泳池那场戏里——集合了所有能体现莫里亚蒂怪异和神经质的瞬间。是安德鲁将我们的文字演活了。
Mark Gatiss: We set out from the start to make Moriarty ayounger, stranger nemesis for our hero but Andrew's reading of thepart simply blew everyone away. He's an actor I'd long admired andhe brings to it the most amazing blend of charm, impishness andabsolute, blood-freezing malevolence.
马克·盖提斯：尽管我们从一开始就打算为我们的英雄打造一个更年轻、更古怪的莫里亚蒂作为对手，但安德鲁读本子时还是让所有人眼前一亮。他是个我仰慕很久了的演员。他将魅力，顽皮和决绝冷血的狠毒完美的结合在了一起。
Steven Moffat: The problem with Doyle's Moriarty, is that thecharacter was too successful. Almost every super-villain thatfollowed him, talked almost exactly like him. Smug, supercilious,seemingly courteous. To have done that again, would have seemedlike a cliché. So Mark and I took the decision to have a genuinelymad, frightening, unpredictable psycho-Moriarty.
史蒂芬·莫法特：道尔笔下的莫里亚蒂的问题在于这个角色太成功了。几乎每一个超级反派都追随着他的脚步，几乎都和他一模一样：自命不凡，傲慢自大和外表上的彬彬有礼。如果重复这个路数，就显得太老套了。所以马克和我决定塑造一个从骨子里疯狂、恐怖、难以预料的神经质的莫里亚蒂。
Andrew Scott: Because I'm as physically different to the personyou would choose [as Moriarty], it could be perceived as asurprising choice. Going with that, what I really didn't want to dowas copy any other villain. So I didn't look at any of thedifferent incarnations of Moriarty before. I kind of took a risk inthat sense, by just going with what I thought was the darkness thatis within me.
安德鲁·斯考特：因为我的年龄身体条件和之前版本的莫里亚蒂的人选有所区别，所以我应该是个比较令人意外的选择。既然如此，我真的不愿意去复制其他反派。所以我也就没有看任何之前的莫里亚蒂的版本。我只是尝试跟随我觉得内心最阴暗的自我来演绎，其实是有点冒险的。
Hiding In Plain Sight
最危险的地方最安全
Andrew Scott: You have to be very sparing with Moriarty, andthey're very clever in that sense, not to overuse him. So it wasvery important for me to really make his presence felt in each ofthe scenes he appears in. There's a great expression that StevenMoffat and Mark Gatiss use, "hiding in plain sight."
安德鲁·斯考特：对莫里亚蒂要很节制，这一点他们做的很聪明，没有过度使用他。所以对我来说很重要的一件事就是让观众在他每一次出场时能感受到他的存在。史蒂芬·莫法特和马克·盖提斯对他的描述非常到位：藏在人们眼皮底下，最危险的地方最安全。
Mark Gatiss: In the original stories, he's a much older man, his"shoulders rounded through much study." We thought it would begreat to effectively make him Sherlock's stalker!
马克·盖提斯：在原著里，他要年长很多。他的“肩膀因为长期的研究工作而增厚”。我们就想如果把他塑造成夏洛克的跟踪者就好玩了！
Mark Gatiss: When we were making the pilot, we all fell in lovewith the character of Molly Hooper and her hopeless love forSherlock. I had an idea that we should give her a trophy boyfriendwhom Sherlock immediately deduces is gay! It was an off the cuffjoke but it eventually led to the idea that we would first meetMoriarty in that way — literally the last person you'd expect.
马克·盖提斯：我们做试播集的时候，都爱上了莫莉·胡珀这个角色和她对歇洛克无望的爱情。我就想我们应该给她一个为提高身价而交的男友，然后夏洛克立刻推理出这个人是同性恋！当时我是当笑话随口一说，不过后来我们决定以这个作为莫里亚蒂的第一次出场方式——你绝不会想到这个人就是他。
The Physical Moriarty
形而下的莫里亚蒂
Mark Gatiss: I spoke to Andrew at an early stage about keepinghis lovely Irish accent as Moriarty is, after all, an Irish name soI thought that would be nice. Also, as a nod to the originals, Iasked him to put in a little of the distinctive oscillating headmovement that Conan Doyle describes. A literal nod I suppose!
马克·盖提斯：最开始我就跟安德鲁商量仍用他自己可爱的爱尔兰口音，因为，毕竟莫里亚蒂就是个爱尔兰名字，所以我想这应该是个不错的主意。此外，为了向原著致敬，我请他加进了一点柯南·道尔笔下的独特的头部摆动。算是字面意义上的致敬我猜！
Andrew Scott: I kind of like the idea of him wearing a lightsuit, not something that you would necessarily see on astereotypical villain — the big black cloak and the black hat — andI just wanted to do sort of the opposite of the stuff I may haveimagined Moriarty to wear.
安德鲁·斯考特：我挺喜欢他穿一身休闲西装，而不是你会在传统反派身上看到的装束——长长的黑斗篷和黑帽子——而且我很想穿那种和我想象中莫里亚蒂的穿衣风格完全相反的服装。
Steven Moffat: He's up against a dapper Sherlock, and since he'sjust as vain, he would be unlikely to let [that] side down.
史蒂芬·莫法特：他所面对的是一个非常时尚的夏洛克，再加上他和夏洛克一样自负，所以他是不会在这方面输给他的。
Playful & Menacing
散漫和邪恶
Steven Moffat: [Moriarty] not bothering to be menacing is themost menacing thing of all. To face off against Sherlock Holmes andto seem almost bored at the prospect — to be cracking jokes in theface of the genius detective — is so unsettling.
史蒂芬·莫法特：（莫里亚蒂）从不刻意邪恶是最危险的事。对抗夏洛克·福尔摩斯而这种形势似乎还让他觉得无聊——当着一个天才侦探的面讲笑话——真的很让人不安。
Mark Gatiss: Bad people don't know they're bad. They thinkthey're RIGHT! He's just having fun. Anything to distract him fromthe dreary monotony of existence.
马克·盖提斯：坏人并不觉得他们是坏人。他们认为他们才是正确的！他觉得他只是在寻开心，任何能让他远离枯燥无聊的活着的事情（他都愿意做）。
Steven Moffat: He doesn't care. I keep coming back to that. He'splaying because he's bored — a malevolent child without limits.Psycho on a sugar rush.
史蒂芬·莫法特：他不在乎。我总是强调这一点。他玩这个游戏因为他觉得无聊——（他是一个失控的满肚子鬼点子的小孩）。一个为了得到糖果不惜一切的疯子。
Andrew Scott: Even though he's an international super-villain, Ithink he takes great pleasure in what he does. So it was importantthat I really enjoyed it and we got the sense that Moriarty isreally playful about it and not serious. And then sometimes youthink that he really is serious about it...sometimes he's massivelyscary and sometimes he's just charm itself.
安德鲁·斯科特：尽管他是个跨国超级大反派，但我想他很享受自己做的事。所以让我自己享受诠释他就很重要，然后我们觉得莫里亚蒂真的只是在找乐子，他对事情不那么严肃认真。可是有时你又会觉得他对找乐子这件事真的很认真……有时他相当恐怖可有时他又迷人得要命。
So Changeable
极其善变
Mark Gatiss: If you're that terrifyingly intelligent, thenwhat's left for you? Andrew infuses him with a terrific sense ofennui. That the world is too small, too trivial, too boring forhim. So he seeks any kind of distraction. Sherlock is the onlyperson who can get remotely close to his level of genius so, for awhile, he enjoys the game.
马克·盖提斯：如果你像他那样智商高的吓人，那这世上还有什么能吸引你呢？安德鲁给这个角色注入了一种非凡的厌世感。这个世界对他来说太小，太琐碎，太了无生趣，所以他寻找任何形式的消遣。夏洛克是唯一一个能勉强和他在智力上比肩的人，所以，在一段时间之内，他蛮享受这场游戏。
Steven Moffat: Again, it's the power thing. [Moriarty is]absolutely confident he can handle anything without effort.Consistency is for people who care. People who don't really careabout anything are the scariest of all.
史蒂芬·莫法特：这又回到了权力情节上。（莫里亚蒂）绝对自信到认为他能毫不费力地驾驭任何事情。一贯性是给那些有所顾忌的人准备的。对任何事物都不在乎的人是最可怕的。
Mark Gatiss: It's worth saying that there were a couple ofthings that influenced his creation. One (which works equally forSherlock) is the story that Isaac Newton was so clever, so brimmingwith ideas that when he woke every morning he had to sit on the endof the bed with his head in his hands, just to let his mind'settle'. I think that's just so thrilling as an idea and we wantedMoriarty to have something of that quality. Secondly, I rememberwhen I was a child watching Peter Sellers being interviewed and hesaid something at once extraordinary and chilling. He was such achameleon, such a repository for other characters and their quirksthat he said to the interviewer "I THINK this is my voice'. Like alost soul who no longer knows what he is. That sense of an emptyhuman being with something dark and terrible inside him, Andrew cando like no one else.
马克·盖提斯：有几件影响了他对角色塑造的事情挺值得一提的。一个是艾扎克·牛顿的故事（这事对夏洛克也同样适用），因为牛顿太聪明，充斥了太多的想法，以至于他每天早晨起床后会坐在床位，把头埋在手中，只是为了让他的思想“安顿”下来。我觉得这是个非常令人激动的想法，我希望让我们的莫里亚蒂有一些相似的气质。其次，我记得我小的时候看彼得·塞勒斯接受采访，他立刻说了些非常不同寻常的、惊人的话。他像变色龙一样，在体内贮存着各种各样的角色极其怪癖，最后他对采访者说“我觉得这应该是我的声音”。就像一个迷失的、再也不知道自己是什么样的人一样。那种除了黑暗和恐怖之外别无他物的空洞感，没有人能比安德鲁演的更好。
Andrew Scott: Like a lot of people that are emotionally sort ofdisturbed in that way, he can be massively high, and I think hegets a great deal of comfort in being able to challenge Sherlock. Ithink he's somebody with a lot of immediate access to the way hefeels.
安德鲁·斯考特：就像很多被这种状态弄得情感上受刺激的人一样，他可能会因此异常兴奋。而且我想有能力挑战夏洛克让他得到了很多安慰。我想夏洛克是能够迅速理解他的感受的少数人。
Andrew Scott: That's what fear is, is to feel unsettled, not Iknow what this is so I'm able to deal with this. If you don't knowwhat something is, then you're more like Um...what should I befeeling?! And if you can increase that, and that's what I tried todo with Moriarty, play with it throughout the series, thenhopefully the audience will feel that.
安德鲁·斯考特：恐惧不是“我知道这是什么所以我能处理它”，而是感到不安。如果你不知道自己面对的是什么，你就会想“呃，我应该感觉什么？”，而如果你能加剧这种不安，那就是我想要的莫里亚蒂给人的感觉，我让这种感觉贯穿整季，希望最终观众能感受到这种不安。
Sherlock and Moriarty
夏洛克和莫里亚蒂
Steven Moffat: This is the man that forces Sherlock Holmes tobecome a hero. In our series, as in the original, Sherlock is firstintroduced as a cold, amoral reasoner, fascinated by the game forits own sake, indifferent to good and bad. It takes Moriarty topush him to the point where he'll put his own life on the line forthe love of his friends, and for what he believes is right.
史蒂芬·莫法特：莫里亚蒂是那个成就了夏洛克·福尔摩斯英雄形象的人。在我们的剧集里，就像在原著里一样，夏洛克最初和观众见面时就是一个冷酷的、没有道德意识的推理机器，他为了游戏本身而着迷，无视其好坏，是莫里亚蒂逼着他走到了愿意以他自己的生命为代价换取朋友们的爱和他所相信的正义这一步。
Mark Gatiss: It's a cliché to say they're two sides of the samecoin but that's clearly true. Sherlock chose a different side inthe game, perhaps because it's harder to be good! Ultimately,though, Sherlock realizes he is different to Moriarty. He does careabout people — although he will never be like the rest of us.
马克·盖提斯：说他们是一枚硬币的两面很老套，可那是千真万确的。夏洛克在这场游戏中选择了另一面，可能是因为做个好人更难！不过最终夏洛克还是意识到他和莫里亚蒂是不同的。他确实关心别人——只不过永远不会以我们其他人的方式。
Working With Benedict
和班尼迪克特合作
Andrew Scott: Because [Moriarty's] very intelligent and playful,I had to rely on whatever playfulness is in me. I had a lot ofideas, I'd read the scripts hundreds of time, but then you justwait and see what happens, and see what Benedict is going to do.Because I had to be a little bit unpredictable, I definitely got totry things that worked sometimes, and sometimes were reallyembarrassing. So we definitely had a really good laugh.
安德鲁·斯考特：因为（莫里亚蒂）很精明也很散漫，所以我不得不依仗我自己散漫爱玩笑的一面（把它演出来）。我有很多想法，我把剧本读了上百遍，不过最后你还是要等着看看到底会发生什么，你要看看班尼迪克特会做什么。因为我必须要显得难以预测，所以我必须尝试很多事情，有时效果很好，有时就显得很尴尬。总的来说我们合作的很愉快。
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虽然我不愿意承认，但翻过这么多了这一篇才是标准的翻译该有的样子——起码是形式上的。中英文明确区分，互不夹杂。虽然翻译名字很痛苦，尤其是二缺的名字，打起来就手颤，为了形式正确，我忍了。还是这种行文风格比较正常的稿子翻译起来也比较容易正常，像之前的那种聊天文稿，尤其是加上Moffat和Gatiss两个没下限的，就容易让人忍不住吐槽。。。你看，说着说着，就又吐槽了……
